How exactly do you create hucha?
There are three primarily ways: as a result of conflicted and life-negating emotions, a lack of self-awareness, and a loss of integrity in your thoughts, words, and deeds.
Jealousy, worry, blame, and harsh judgments and emotions that negate the value of yourself or others can create hucha. As can loss of integrity, which usually results in hypocrisy. For example, if you are thinking, “What a jerk this person is” but are shaking his hand and telling him how happy you are to meet him, your hypocrisy can create hucha. The operative word in these examples is “can.” These emotions don’t have to create hucha.
Hucha, as you may know, is kawsay/sami that is slowed down. Kawsay’s nature is to move unimpeded. If you are conscious of your ayni exchanges with the living universe and so absorb and radiate kawsay freely, then you won’t slow kawsay down. It won’t get stuck on the skin of your poq’po (energy body) or blocked from flowing through you. However, when you are unconscious of your ayni exchanges and out of integrity in your emotions, thoughts, words, or deeds, you can slow, stop, or block the flow of kawsay and so create hucha. Hucha, as you can see, is not negative, bad, dirty, or contaminating energy. It is just slowed or blocked life-force energy. And even if you e experience life-negating emotions or a loss of integrity in our behavior—as we all do—you don’t have to create hucha. It’s possible, but not a given.
Why?
Because we are conscious beings. And self-awareness has everything to do with ayni—with the way we interact with the living energy—and thus with hucha.
Here are three variations of a scenario that examines energetic emotional processes.
I have devised this example precisely because it relates an event that seems innocuous: going to an art gallery. Even seemingly simple or mundane events and interactions can cause problems if you are not conscious of your energy dynamics. One variation of the scenario creates hucha, and the other two don’t.
Scenario One: As you view the artist’s work, which has been touted by art reviewers, you form an opinion: “Wow, her portraits are fantastic , but I’m not so fond of these landscapes. And the prices! They seem ridiculously high. That must be the artist. Wow, she certainly seems self-confident the way she’s making the rounds. Guess I won’t wait around to meet her. I think I’ve seen enough. I’ll have a glass of champagne and head home.”
Scenario Two: As you view the paintings, you think: “Yeah, she’s good. But only at portraits. Her landscapes are mediocre. Why didn’t the reviewers talk about that? How could they be raving about her art and missing the truth about half of her works? There’s the artist. She’s not the least bit shy. In fact, she’s strutting around this gallery as if she were Da Vinci! There is no Mona Lisa here! And I can’t believe she gets these prices for her art. What makes her think these are worth that kind of money? She needs a reality check.”
Scenario Three: As you move around the gallery, you think: “She’s good, at least at portraits. No denying that. The landscapes. . .don’t like them so much. And the prices! A bit high. Maybe a lot high. Where is the artist? Oh, that must be her. She certainly is strutting around as the star of the show. Ha! She thinks she’s Da Vinci, but she certainly is not . . . Hhmmm. Where did that snarky remark come from? I am feeling hostility toward her and I haven’t even met her! I wonder why? I don’t even know her. I haven’t spoken a word to her, but I have been pretty hard on her since I
walked in. What’s that about? Why am I feeling such a strong negative reaction to her as a person? Am I feeling jealous? Jealous? I am! I have to admit it. Why?”
After more self-reflection, you realize you are projecting. You realize, “I always wanted to be an artist, and here is a woman who has done it, and is making a darn good living at it. She’s self-confident because she has a show and a full audience, and from the looks of things a lot of buyers. I never had that kind of confidence. I only dabbled with oils. . .I never really applied myself. Never believed in myself as an artist. It’s my romantic dream. That’s why I am so hard on this artist. I am jealous of her success—because I never risked trying to produce any art myself.”
You can see the differences in energetic, emotional processing that goes on in the three scenarios. In the first process, you form an opinion, but there is no emotional charge with it. It’s what you think. You’re entitled to your opinion, and when you leave the show, you are not carrying any emotional baggage out with you. The result is that even though you had strong opinions—some that reflected negatively on the artist—no hucha was created.
In the second scenario, opinion begins to veer into emotional turmoil. Objective opinion spirals into judgment and self-righteousness. There’s a good chance that you are projecting something hidden within yourself onto the artist, but you are oblivious to that possibility. You think the truth is “out there,” not “in here.” This is a classic set-up for creating hucha.
The final scenario starts out much like the second one, but you catch yourself as you spiral from opinion into judgment. You realize you are not only feeling a strong emotional reaction, but that your emotions are beginning to become overcharged.
You have the self-awareness and self-control to monitor your emotional dynamics and so begin to explore the charge behind your hostile feelings. When you do, you discover at least part of what you are feeling is a result of your projection of unrealized dreams onto another person. You realize that while there is nothing wrong with having an opinion and you are at liberty to dislike something or someone, something more is going on. You have no objective evidence or personal interaction to justify your feelings about the artist, and that’s a clue that your shadow self (the hidden, rejected, denied aspects of yourself) is involved. This process of self-reflection allows the hostile feelings to dissipate, thus guarding against your creating hucha.
As you can see, lack of awareness of the complexity of our thoughts and emotions—and thus lack of self-examination—is a core reason we slow or block the life-force energy and create hucha.
The transpersonal psychologist and philosopher Ken Wilber wrote something that helps us understand why self-awareness is so important. He says, to paraphrase, that information is just information. No matter what kind of information is input to your consciousness—a fact from outside or an internal opinion— it is simply information. In and of itself information is devoid of emotional content. The emotions are add-ons—they come from your reaction to the information. When you have a strong emotional reaction to that input—especially one that stays with you over time—you
have a clue that your feelings are arising from your shadow self and so are not truly well-formed, objective opinions or reactions. If you have an emotional reaction and then it passes—you can let it go easily—then you’re okay. But if those feelings linger, you need to pay attention. You have exposed a soft spot in your shadow and that information has irritated it. That irritation has presented itself as projection—usually of negative emotions—onto others. Through self-reflection, you can aspire—as paqos do—to be a person who “sees reality as it really is.” In this case, you see that your opinions have become embroiled with emotions about yourself and really have little or nothing to do with the other person. That person or situation simply became the trigger for that shadow emotion. When you realize this, then you can deal in a healthy way with those feelings and not create hucha.
While there are other ways you can create hucha, lack of self-awareness, unjustified/projected charged emotional reactions, and loss of inner integrity in thoughts, words, and deeds are three of the most common. If you take this knowledge to heart and work these three energetic processes, you will go a long way toward evolving your consciousness and creating greater well-being for yourself and others.

In the Andes, as in many wisdom traditions, there is a saying that “As above, so below.” In the Andes, one of the ways this plays out is in the mirroring of the pachas outside the self with the pachas within the self.
bubble the world without and the world within. Don Benito’s work—the right-side, mystical, yachay-focused work—is concerned with the universe outside yourself, the God without. Don Melchor’s left-side, magical, and llank’ay-focused work is concerned with the universe within yourself , the God within. The chaupi work of don Andres Espinosa is about generating and being self-sufficient in munay, which is the human power of the kaypacha and integrates all three pachas into a whole.
self. You can perceive it as the pacha linked to the energy of your Inka Seed that is your purest energetic state, which is one of perfect ayni. It is your potentiality as an enlightened being. It is your spirit, your divinity.
discerning them, perceiving their state. Are they available to you? Are they hidden from you? Are you comfortable in each? Just sit with whatever you feel and perceive. This is a process of discovery. It is an invitation to get to know yourself and your poq’po better—touching in with non-judgmental curiosity. Don’t rush the process of getting to know yourself!
brought this coherence to your energy body, you can take time each week to reinforce this joining, and over time you will eventually feel the flowering of the self—the expansion that is taqa. As I have written about in past blog posts, as paqos we seek to become like flowers in the garden of Wiraqocha, attracting the hummingbird to drink from our munay nectar. This is an exercise that can help you to become such a flower.
The Andean metaphysical god was called Wiraqocha. Another name for God is the Taytanchis, which means Our Father. Although referred to as male, Taytanchis is beyond gender, for Taytanchis is the living God, the Great Mystery, the Inscrutable One. It is the first cause of creation. From it arose the immaterial realm of living energy, the Kawsay Pacha, and the material realm, called the Pachamama. This is the realm that includes all the matter of the cosmos, including the galaxies, stars, planets, and all of life. It is from Taytanchis that we all come and to Taytanchis that we all will return.
poq’po is private. As my teacher Juan Nuñez del Prado says, your poq’po is the one thing in this life that is wholly yours, that you alone own. No one can enter your poq’po uninvited (consciously or unconsciously), not even God. As a result of that fundamental energetic truth, as Juan says, this is where the evangelical Christians get it right—you must invite God into your life (poq’po). Until you do, the Taytanchis cannot act as a direct living energy in your human life.
choice. Having given you free will, Taytanchis will not trump that will. So, you must purposefully invite Taytanchis into your human life and physical being.
becoming a fully developed human being, meaning a fully enlightened person. We are already perfected because we are Drops of the Mystery of the cosmos of living energy and our enlightened self is held within each of us as a potential in the Inka Seed. However, we do not live that potential—yet!
tend to be doers and thinkers. We are what we do. We are skilled at abstract thinking. We value knowledge, and see it as the solution to so many of our problems.
heart. There is never any need to “clean” them, as they are pure sami. Still, we have to work consciously to activate our Inka Seed and to connect our Inka Seed and heart into an integrated system in order to stimulate our development and fuel our evolution. Integration is the purpose of this modified exercise. And it is a way to not only connect these two most important energetic structures within, but to generate copious amounts of munay in the process. As you feel that munay spread through the self, you receive a taste of the purity and power of self-love.
You can do this exercises many times as you need to so that you can actually perceive the flow of munay within and throughout the self. When you experience this sweetness, you will finally understand the metaphor of the paqo as exuding a nectar that draws the hummingbird. The hummingbird is the totem of the upper world, the hanaqpacha, and of God. When the hummingbird feeds on your nectar, you are deeply connected with God.
only a few days ago in which 17 students and faculty were killed, said, “We took 17 bullets to the heart.”
are, so is our country. We are responsible both for acknowledging the energetic violence that has us in its sights and for not perpetuating that heaviness ourselves.
of saminchakuy to use on behalf of the conscious evolution of our country.