In my last post, we explored our mystical relationship with nature. That reflection left me wandering down an unexpected path, thinking about cities. Urban areas are rarely the places people flock to when seeking personal respite or rejuvenation, spiritual connection, insight, inspiration, or the transcendent. But why should an urban environment be considered any less sacred than a natural one?

I am not talking about the world’s widely recognized spiritual centers, such as Jerusalem, Medina, Vatican City, Varanasi, Cusco, Kathmandu, or Kyoto. I am talking about everyday cities, such as Boston, Edmonton, Siena, Hamburg, Córdoba, Anatalya. I am talking about any city, really—large or small, well-known or entirely anonymous to anyone but the locals.

I guess what I am really exploring is not a specific location, but a particular kind of environment: the entirely manmade kind. And what I am exploring in a broader way is the sense of pilgrimage. A pilgrimage is an intentional journey to a place deemed holy or sacred, undertaken for spiritual, creative, or inspirational reasons. Because modern environments limit our daily exposure to nature, we often—and rightly—seek out green spaces for this kind of respite and rejuvenation. We head for the mountains, the forests, the oceans, or the jungles. But beyond recognized cities that are spiritual centers, why do so many people assume they will not (or cannot) find the sacred—or connection, respite, rejuvenation, insight, inspiration—in what is pejoratively labelled a “concrete jungle?” Other than our own learned biases, what truly makes the manmade less holy than the nature-made?

One of the strongest pulls of wilderness immersion is the ability to step (almost) entirely outside of society. When we are alone in nature, the social cacophony mostly ceases, allowing us a quiet space in which to connect with the self and better hear (and listen) to our inner voices. We also expand our awareness beyond ourselves. Instead of harried and complicated interchanges with people, we slow to the simpler rhythms of the wind, water, sun, and moon. We shed the social masks we wear and the cultural mores we serve. We become more aware of our wasi: the temple of the self, which comprises both our physical body and our poq’po (energy body). Naked to ourselves, we deepen our relationship with our own souls and the soul of the world.

Yet, the sacred is not out there. It is always and everywhere within ourselves.

So, I wonder why we cannot so easily shed those same social costumes and psychological masks while standing on a crowded street corner surrounded by brick buildings and the honking horns of cars? Isn’t it true that the challenge isn’t the concrete beneath our feet, but our willingness to “be” wherever we are, in whatever conditions, whether the dizzying action of a large city, the bland homogeneity of a suburb, or the insular timelessness of a backwater town? 

Landscapes by themselves are devoid of meaning. We are the meaning-makers. If we cannot “be”—centered, calm, aware, in wonder—in the middle of an urban rush, well . . . that tells us something about ourselves. If we can marvel at the power of ocean waves surging toward shore, can we not find a sense of majesty in a crowd of people propelling themselves with purpose along the city blocks? Why is sunlight brilliantly streaming through a thick tree canopy any less mesmerizing than one streaming down between a cluster of skyscrapers?

There is a term I once heard don Juan Nuñez del Prado use while discussing the Andean tradition: the egregore. It was how don Juan described some energy dynamic—I forget now what he was talking about—back in the very early days of my training. I haven’t heard him use it since. But it has stuck with me. It’s a term that refers to the spirit of a group, to how their energy coalesces into a shared psychic structure. We might think of it as a city’s dream body or its ayllu poq’po (group bubble or energy body). The egregore is formed from the collective beliefs, thoughts, emotions, needs, desires, dreams and such of the group, and so the egregore is the holistic impression we have of a place. It is a signature energy, such that the “feel” of London’s egregore is different from New Delhi’s, which is different from Buenos Aires’. There is a reason we feel the glow of romance in Paris and the welcoming, family-like familiarity of Bologna.

Most cities use taglines to brand themselves for tourism and commerce. However, from an energetic perspective, they are actually advertising their egregore: I live near Winston-Salem, NC, whose egregore is “The City of Arts and Innovation.” New Orleans is the “Big Easy,” Tokyo is where “Old Meets New,” and Geneva is “The Peace Capital.” You can “Find Your Heart” in San Francisco and know that “What Happens Here, Stays Here” in Las Vegas.

For every one of our shifting passions there is an urban egregore that perfectly resonates with it and so can deepen our feelings about whatever is sacred to us in the moment. There is a place vibrating at the perfect frequency to sweep us into the indulgence of physical pleasures, or into freeing our inner child or unleashing our inner comedian, or into supercharging our creativity or immersing ourselves in futuristic technology. When we choose to view every place on this planet as sacred, even a simple day trip to a bustling urban center transforms into a pilgrimage. Just like a verdant forest or an imposing mountain, a city can serve as a powerful bridge between the mundane world and the liminal space of the divine.