What are mystical sensibilities? A core one is to perceive and feel the sacred in the mundane—to find the joyous and even the miraculous in the everyday. For the rest of this year, I will be exploring how we can cultivate various mystical sensibilities, starting with the simple, profound act of wonder. As Emily Dickinson writes, “Tell all the truth but tell it slant— / Success in circuit lies.” Her words are a reminder that wonder, like truth, often comes to awareness subtly and obliquely. As she says of truth, wonder might “dazzle us gradually.” While wonder can strike unbidden, more often it is a sensibility we actively choose to develop.

The word “wonder” has two core forms and meanings. As a verb, it means to think about, speculate, be curious. As a noun it means to be astonished by or marvel at something. Many of us begin our mystical pursuits because we are curious about aspects of the world that fall outside of consensus or scientific reality. We are keen to experience the supernatural, witness the unusual, touch or be touched by the magical. So, where do we start? Right where we are. As poet E.B. White advised, the key is to “always be on the lookout for the presence of wonder.” It is good advice. And it is confirmed by generations of wisdom-keepers from a variety of cultures and spiritual traditions who tells us that wonder starts when our attention and awareness are focused on the here and now, particularly on the mundanities of life.

How often do we truly notice the world around us? Williams Carlos Williams’s most famous poem may be “The Red Wheelbarrow,” which although rife with layers of meaning, on its face asks us to simply notice the thereness, the beingness of what is in front on us. In this case it is a well-used wheelbarrow sitting in a barnyard in the rain: “So much depends/ upon / the red wheelbarrow / glazed with rain / water/ beside the white / chickens.” Instead of overlooking the familiar wheelbarrow, if we bring it into awareness, we appreciate its centrality to the harmony of the universe as a farm. From the way Williams deliberately breaks the lines of this poem, we also are asked to notice the rain itself and the chickens, things that normally do not catch our attention but that possess their own kind of marvelousness.

How much we overlook in our everyday lives! Is not the weed that sprouts in the crack in the cement a testament to the ferocity and fecundity of life? Is not the hammock strung between the trees the holder of sweet memories of lazy days and daydreams? When we pay attention, not all of what we perceive is pleasant but still may be profound. Is not the dumpster stuffed to overflowing with trash bags and household cast-offs a container for our causal and even thoughtless relationship to abundance, our voracious appetites, our aloofness to frugality?

When that dumpster image came to me, I almost immediately rejected it, because, really, how can trash provoke a sense of wonder? Then I discovered A.R. Ammons’s monumental book-length poem “Garbage.” He set me straight! He writes, “. . . the bulldozer man picks up a red bottle that / turns purple and green in the light and pours / out a few drops of stale wine, and yellow jackets / burr in the bottle, sung drunk, the singing / not even puzzled when he tosses the bottle way / down the slopes, the still air being flown / in the bottle even as the bottle / dives through / the air! the bulldozer man thinks about that / and concludes that everything is marvelous, what / he should conclude and what everything is: on / the deepdown slopes, he realizes, the light / inside the bottle will, over the weeks, change / the yellow jackets, unharmed, having left lost, / not an aromatic vapor of wine left, the air / percolating into and out of the neck as the sun’s heat rises and falls: all is one, one all: / hallelujah: he gets back up on his bulldozer / and shaking his locks backs the bulldozer up.”

If we have the eyes to see and the heart to feel, wonder may erupt out of the background noise of nature and life and crack us open. I recently experienced the unbidden arrival of such beauty. Last spring, I was sitting in my screened porch drinking my morning coffee when a single bird sang beauty into existence. What usually captured my attention were the green fields, the massive century-old oak trees across the fields, the rising sun. And when I think of wonder and birds, I own my bias toward the hummingbirds, hawks, and owls that I share this land with. But this! A song I had not heard before from some kind of bird unknown to me. It was a wonder! Even as other birds began to sing the same song, this bird stood out; it was the Bocelli of this flock. A capella simplicity, clarity, and purity—the closest sound to angelic I had ever heard. I felt I was in the presence of the holy; that I was being infused with the holy. Morning after morning, this wonder repeated: a single bird’s song like a prayer offered to the sunrise, to the giant oaks, to the green intensity of the fields, and to me. It was a mystical experience made more profound because it was inseparable from the mundane, inserting itself into my routine: me sitting in my chair in a screened porch at sunrise sipping coffee. Then one morning nothing. As abruptly as it had arrived, this wonder of a song ceased. This bird and its mates had moved on. How I miss it! And how grateful I am that I was witness to it and in some way imprinted by it. I eventually identified the bird and its song via YouTube: a white-throated sparrow. Theirs is a rather pedestrian call. But not from this bird. Its variation was at a level of artistry far outside the norm. I can assure you that if you go online to hear the trill of the white-throated sparrow, you will find nothing that compares to the wonder of this one bird’s hymnal song.

It might seem cliché to suggest that we cultivate wonder as a mystical sensibility by appreciating the marvelous in the mundane and, more importantly, feeling that marvelousness. Wonder is more of the body than the mind, and there is  nothing cliché about experiencing it. As poet Mary Oliver declares in “The Plum Trees,” “. . .Joy / is a taste before / it’s anything else, and the body / can lounge for hours devouring / the important moments. Listen / the only way / to tempt happiness into your mind is by taking it / into the body first, like small / wild plums.” She asserts this truth again in “The Roses,” “. . . there is no end / believe me! to the inventions of summer, / to the happiness your body / is willing to bear.”

Many of us have lost our childlike capacity for wonder. So, when we are adults, sometimes it takes a child to be our teacher. I remember a lesson I received while visiting some friends. I was drawing with their daughter, who had several severe developmental challenges. We were sprawled on the floor; we each had a huge sheet of paper and a plastic bucket crammed with crayons. When she finished her drawing, she tugged on my sleeve to show it to me. There across the top was a narrow horizontal swath of blue sky. Most of the paper was blank, until down along the bottom was an equally skimpy swath of green grass and two stick figures: her and me. I was taking it all in, so I did not immediately comment. And I admit that my attention was on the blank expanse of the paper. Then our eyes met, and without giving me a chance to speak, she said, “Don’t worry. We’re closer to the sky than you may think.” Whoa! I could not have been more surprised, nor more humbled, if a wizard had hit me upside the head!

William Wordsworth reminds us of the importance of cultivating a childlike wonder (“Ode: Intimations of Immortality from Recollections of Early Childhood”): “There was a time when meadow, grove, and stream, / The earth, and every common sight, / To me did seem / Apparelled in celestial light, / The glory and the freshness of a dream.” When was the last time you felt like this? That the common things are harbingers of delight? That the mundane is magical, such that a simple pine tree can sweeten your body; a white iris can beautify you? (Paraphrase from Wallace Stevens’s “In the Carolinas.”) When was the last time your everyday surroundings and the activities of your common life felt fresh and glorious?

How easy it is to take our lives for granted. It took a friend to remind me that I was so busy, I was missing my life. How about you? Shall this blog post be a wake-up call—a friend’s gentle reminder to take a break from all the “doing” and refocus on “being”? For to choose wonder—to notice the marvelous and even the divine in the everyday—is to choose everything important.